the problem for those of us who loved the replacements was
so, you make a ridiculously wonderful kickass punk rock record
that also has some of the sweetest saddest songs ever (Unsatisfied, Sixteen Blue, Answering Machine)
and all of these other records by lessors make so much more money and get so much more fame.
what are we supposed to learn from this? that great art will not always be met with financial reward and/or popular appeal
unless you’re Led Zeppelin?
sorry but most of us aren’t Jimmy Page.
not that we’re Paul Westerberg neither, but we’re a lot closer to those drunken sloppy bums than the devil worshiping skinny brits.
well three decades later the lesson now is dont count your rotten eggs until theyre hatched
because nowadays The Replacements might not be getting any more airplay or video play but they can go to any festival that they want and pretty much headline on the strength of the material they made in the 80s.
and go home with a mountain of money and take the rest of the week off.
so maybe page and plant were right when they said Your Time Is Gonna Come.
sadly that message was delivered on an answering machine that had run outta tape, so we were sweating it.
a Happy Birthday indeed, but there’s only one problem with this note. Hootenany is the ‘Mats THIRD album not second. There was “Sorry, Ma …” followed by “Stink,” which can never be discounted as a throw-away or an “EP” because it’s a release that certainly does stand on its own. And, to make it even more clear, upon the ‘Mats re-release of their discography with additional songs, “Stink” was included in that series.
i completely agree that Stink is freaking amazing. in fact it contains two of my favorite songs – not just favorite Replacements songs – but all-time favorite songs in the history of punkerdom
“Fuck School” and “God Damn Job” are perfect in each and every way. when Nobama lets us start really gay marrying things those two songs will be my first sister wives.
The latter should have been written by Hank Jr. Dude has the blood in his veins from the greatest songwriter ever and yet somehow Westerberg, a young Westerberg at that, penned the minimalistic but exquisite
I need a God damn job/I need a God damn job/I really need a God damn job/I need a God damn job/Goooooood Damnit/Gooooood Damnit/God damn, I need a God damn job.
How ya gonna beat that? Sure it’s in the same basic punk rock structure as “I Hate Music” from Sorry Ma, but even more so somehow.
“Go” is haunting and beautiful.
“Kids Won’t Follow” puts everything out today to shame.
“White and Lazy” is funny, bluesy and then scary. (“Sounds good in here.”)
“Dope Smokin Moron” is what Westerberg talks about when he says the early days of the Replacements were them trying and failing to be a hardcore punk rock band. Bros didn’t fail on that one.
“Stuck In The Middle” should have gotten the Replacements in the Rock n Roll Hall of Fame off this line alone: “I got a head full of teeth and a pocket full of nothing.”
But Stink is an EP. Not because of girth, but because of length.
STINK IS FIFTEEN MINUTES LONG.
That’s not an LP. LP = Long playing record.
Even that reissue you mention, the one with the sweet bonus tracks is only 26 minutes. Weezer don’t even make albums that short.
So no, if you are saying that EP means a throwaway, then I agree with you, Stink is nothing I’ll ever throw away. What I am saying is that it’s an EP because way back in the day thats what you put out because you couldn’t afford the studio time, production time, or didnt have enough songs for a full album.
Next thing you’re gonna tell me is Come On Pilgrim was box set :)